Friday, May 14, 2010

Centre d'histoire de Montreal

According to its website the Centre d'histoire de Montréal is the city museum that "offers you the key to discovering Montreal’s multiple identities." I have to say I very much doubted that any Montreal museum, particularly one billed as the city museum, would really be able to delve into our city's multiple identities. The Centre d'histoire, which has no English translation, doesn't do the best or particularly unbiased job at exhibiting complexity, but it does make a fair attempt.

The permanent exhibit comprises five separate displays that explore different time periods in the city's history. The museum intends for visitors to feel like time travelers discovering different eras. "You'll discover the famous places of the day and meet some of the people who made history... quite unaware." Huh? The French version makes more sense, as it does throughout the museum. But as I've learned recently from a contact who works in a Montreal museum, it is generally more important for English text to be a literal translation of French text than to be a sensical read. Thus the predominant use of inappropriate exclamation points, which French writers seem to love but which would never fly in an English institution. "In short, to save the Natives from eternal damnation!," or "The Depression was no fun at all!" Oh, of course, thanks for clarifying.

I've learned not to let issues like crappy translation get in the way of my Montreal museum-going experiences, because said issues are common across the board and reflect larger cultural concerns that I can't do anything about. Despite moments of laughing out loud, checking the French text to figure out what the hell was going on, and being overheard muttering "oh French people" to myself, I did learn a lot. Many, many street names in Montreal are named after saints. Or so I thought. Turns out the Saint part was added to the name of a local dignitary. So Paul de Chomedey, founder of Montreal, is honoured by a street named Saint-Paul. Who knew? I was also intrigued by the story of the now defunct local brewery that made Dow beer. The company poured 500, 000 gallons of beer into the St-Lawrence river after 16-40 deaths in Quebec were attributed to an overconsumption of Dow beer. Subsequently the brewery became the Dow Planetarium in 1967. I appreciate a history museum that links the present to the past and shows how a city has evolved. I also liked the mix of official more common historical approaches with material culture studies.

As museums attempt to remain relevant in a rapidly changing social and cultural landscape, tools like computer interactives and touch screen displays become more predominant. I can't stand these things. Some museums, like the National Museum of the American Indian in Washington D.C. use touch screens to provide close up views and contextual information for objects on display, but most provide silly fairly useless interactives. I don't believe that technological tools engage people any more than a regular display. Case in point, the Centre d'histoire had plenty of terminals that said "touch screen" with nothing to actually touch or manipulate. Fail.

I was much more interested in the simpler interactive tools such as quizzes. The museum has tons of opportunities to engage audiences, primarily young audiences, and as such would be a great family destination. I liked the multiple choice questions in the permanent exhibit, although some seemed kind of stereotypical. I suppose that as I advanced in my education my understanding of certain topics became correspondingly more complex, and sometimes I forget that we have to start somewhere. I also know that exhibits that provide visitors with too much information that is incongruous with their own understandings will alienate rather than inform. The Centre d'histoire does a good job of clarifying that the information is relevant to a specific time period but I think it could do a better job of creating nuance and could question, rather than reinforce, certain cultural assumptions. In addition, some statements were just offensive. One text panel reads: “You can find everything in Montreal. Everything to help you hide your eyes from some uncomfortable truths.” This is juxtaposed with a large image of a homeless youth. Inappropriate? Je pense que oui.

Made in Montreal? is an exhibit about products that are, well, made in Montreal. One room includes accession information and curatorial research behind everyday products. I like this kind of transparency as I think its important to explain to the public how museums do what they do. I also believe that when you're going to exhibit common everyday objects behind glass, the average visitor wants to know why. The exhibit does a decent job of delving into Montreal's history through a history of local industry and commercial output.

The Centre d’histoire de Montreal is not a thrilling or wildly exciting museum. Nevertheless, taking its content with a grain of salt I learned some interesting things about my city and its history. I was also reminded that while it’s important for museums to adapt, sometimes there’s no need to reinvent the wheel. Updated content, in my opinion, is more important than updated display tactics. Man I wish I could rewrite the text panels in Montreal's museums...

11 down. 21 to go.

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